Akustischer Stadtplan / Soundplan

Akustischer Stadtplan / SoundplanRadiobox, Schulradio, Pädagogische Hochschule Wien, Österreich
http://podcampus.phwien.ac.at/radiobox/archive/831

The Largest Vocabulary in Hip Hop

Matt Daniels is a designer, coder, and data scientist living in New York City. His past works include the Etymology of "Shorty" and Outkast, in graphs and charts. He decided to examine the vocabulary of hip hop artists, and this is what he found. – May 2014

http://rappers.mdaniels.com.s3-website-us-east-1.amazonaws.com/


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The Etymology of Shorty in Hip hop

An absurdly nerdy look at how hip hop invented the most important slang of our time.

http://www.mdaniels.com/shorty/

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Outkast, in charts
http://www.mdaniels.com/outkast/


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Tech: Kombination map + timeline

mapping + timeline:
http://www.timemaps.com


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Macospol Resources: Tools to create Timeline and Map Timedata
http://www.mappingcontroversies.net/Demoscience/ResourceOverview?cat=ToMap&subcat=Tools%20to%20create%20Timeline%20and%20Map%20Timedata
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Pinterest
http://www.pinterest.com/pin/163888873909757706/
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Mashups Using Google Maps and Simile Timelinehttp://edtechdev.wordpress.com/2007/05/18/mashups-using-google-maps-and-simile-timeline/
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SIMILE Timeline: Visualisierung von Geschichte auf der Zeitachse
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music map

Music Machinery - the blog about the interface of music and technology written by Paul Lamere.

http://musicmachinery.com/2009/05/31/building-a-music-map/

Sound Localities, Soundpocket

Sound Localities
... is a project that explores the experience of sound in the city and its relationship a specific regional and cultural space through field recordings and interviews with artists, individuals and organisations in 7 cities around the world.
Locality: is a situated place; a fact or condition of a particular position in space.

Sound Localities is a project that explores the experience of sound in the city through field recordings and interviews with artists, individuals and organisations in 7 cities in the local, region and international space around Mons, Belgium. From Ghent, Brussels, London, Madrid, Hong Kong and Seoul, the project seeks to produce a wider dialogue in a transcultural space with and through sound as it flows through many complex social and cultural spaces. Individuals and organisations are asked to select artists working with sound in the city to contribute field recordings to express something about their city. These sounds are collected and shared online.

http://soundlocalities.tumblr.com


Soundpocket
Yeung Yang 楊陽is an independent curator, writer and university lecturer. Upon graduating from Yale University with an M.A. in anthropology, she worked as a documentary video director at Radio Television Hong Kong. She graduated in 2004 with a PhD in Intercultural Studies at the Chinese University of Hong Kong. Exhibitions she curated include “in midair, sound works hong kong 2007” (Jun,2007), “Art Responds to 14QK” (Nov 2007), “Nocturne, Alfred Ko solo photography exhibition” (Apr, 2008), and “Around sound art festival” (2009 & 2010). She was also artistic director of “October Contemporary 2009 - Now or Never”. She currently teaches Chinese and Western classics at the Chinese University of Hong Kong. In 2008, she founded soundpocket to promote sound art and its research and education in Hong Kong.
www.soundpocket.org.hk
http://soundlocalities.tumblr.com/post/2828225604/yeung-yang-founder-executive-director

Rise and Fall

"Dank dem GPS-Empfänger im Smartphone kennt die App den Aufenthaltsort des Spielers und lässt ihn einen virtuellen Kampf um reale Bars, Restaurants und Sehenswürdigkeiten ausfechten. Als Teil eines Mafia-Clans erobert man den Hauptbahnhof, die Piranha-Bar oder das Bundeshaus. Und man sieht auf dem Display die anderen Spieler, die sich in der Nähe befinden – und kann sich mit ihnen verbünden oder gegen sie antreten."
http://www.tagesanzeiger.ch/digital/computer/Ein-Zuercher-kaempft-gegen-Google-an/story/24534770

The myth of the invisible figure with a microphone

Collateral Damage: Salomé Voegelin
The Wire, May 2014
A new generation of field recordists is challenging the myth of the invisible figure with a microphone in work that celebrates presence rather than absence.


[...]Exciting field recording does not record the field but produces a plurality of fields. lt neither abandons the reality of the recorded, nor does it take it for granted, but works with it, responds to it, understands it as one imprint in the landscape made by the body of the recordist and retraced tentatively by the listener. This listener in turn generates a new imprint between the heard and the recorded, listening to the authenticity of a particular rendition rather than its source, and embracing interpretation as part of the actuality of the real. That is at least what I consider to be exciting. [...]
http://www.thewire.co.uk/in-writing/collateral-damage/collateral-damage_salome-voegelin